Review: Now That’s What I Call a Musical

Theatre Royal Brighton – 2nd – 7th December 2024

If you’re looking for a night packed with big hair, big laughs and a soundtrack that takes you straight back to the 80s, Now That’s What I Call a Musical delivers. This jukebox musical knows exactly what it is, camp, chaotic and unapologetically cheesy. Sure, the plot is thin but with a setlist this good, who’s really cares?

Set in Birmingham, the story jumps between 1989 and 2009, following school friends Gemma and April as they navigate teenage dreams and school reunions. It’s a light-hearted journey through friendship, heartbreak and questionable fashion choices, stitched together with a relentless stream of 80s classics. From Girls Just Wanna Have Fun to Gold, St Elmo’s Fire to Sweet Dreams each number is performed with so much gusto, it’s impossible not to tap your feet and sing along.

The performances on stage are strong and the cast’s energy more than made up for any vocal imperfections. Nina Wadia brought warmth and wit as the pragmatic Gemma, while Melissa Jacques gave April a fiery edge with a powerhouse voice. 

The younger versions of these characters shone brightly. Maia Hawkins, as young April, stole scenes with her sass and stunning vocals. Understudy Molly Cheesley’s portrayal of young Gemma adds a heartfelt vulnerability.

Special mention goes to Blake Tuke as young Tim. Despite being an understudy, he owned the stage with his dazzling dancing and hilariously over-the-top antics. He embodied the camp spirit of the show perfectly, leaving the audience in stitches more than once.

There’s even a cameo from 80s pop superstar Sonia, in a Grease-esque dream sequence. Full of energy and a beaming smile, Sonia’s voice soars, still hitting those high notes that made her famous.

Craig Revel Horwood’s choreography and direction adds sparkle to the spectacle, embracing the nostalgia and silliness that made the 80s iconic. The nods to old TV adverts and pop culture were a delight for anyone who remembers them.

While some of the singing could have been stronger, the acting, soundtrack and sheer enthusiasm carries the show. It balances moments of poignancy about friendships and growing up with a riotous energy that keeps the audience entertained.

At its heart, this is a musical that doesn’t take itself too seriously, and that’s exactly what makes it so much fun. Whether you’re an 80s kid reliving the glory days or just there for the pop bangers, it’s impossible not to leave with a smile and a few songs stuck in your head.

Now That’s What I Call a Musical review – 4 stars